'Allegory in Lord of the Flies Essay\r'

'In William Golding’s original of the Flies, which is set during initiation War II, English school boys, escaping war in England, crash on a deserted tropical island. From the protected environment of boarding school, the boys ar suddenly thrust into a situation where they must stomach for themselves. In come in to survive, the boys copy their country’s rule for a civilized feel by electing a leader, Ralph. He promises high society, discipline, and rules for the boys so that they form a small civilized society. This civilized society does not last.\r\nStruggling with horseshit who wishs to be the leader and the boys’ fears of the unknown, Ralph is ineffective to maintain control, and the boys fulfill Golding’s perspective that human race character is inherently negative as the boys plow savages that brutally and viciously kill. Golding cr killes an metaphor by victimization symbols to show his pessimistic view of human nature through the boys ’ desire for civilization, their struggle against offense, and their descent into brutality. Golding develops the allegory utilize symbols of the boys’ desire for civilization.\r\nLeadership and cerebrate are represented by the symbols of Ralph and the conch and hoggish and his glasses. Finding a conch on the beach, Ralph uses it to keep law and order or peace among the boys. â€Å"Ralph grasped the bringing close together and hit the shell with channel from his diaphragm. Immediately the thing sounded” (15). Blowing into the conch, Ralph assembles the boys for collisions. He uses the conch to promote reasonably p model by passing it around so that each boy has the opportunity to speak freely and express himself. â€Å"I’ll give the conch to the next psyche to speak. He stack hold it when he’s speaking” (39).\r\nRalph represents the order that is necessary in a civilized society, and the conch is the means by which he establishes this order. In addition to establishing order, Ralph organizes the boys into separate groups like hunters, ga therers, and nourish makers to wait on the survival of the group giving more turn up of his leaders abilities. Ralph delegates one responsibility to dogshit fashioning him in charge of the hunters. Although the boys would prefer to have summercater and play games, they follow Ralph’s rules at early. This order is maintained until Ralph loses his leadership role to rogue.\r\nAfter providing, or bribing, the boys with juicy pig meat, horseshit asks â€Å"’Who’ll join my sept and have fun? ’” (211). This lure of enjoyment on with the promise of more food sways the boys to follow Jack. With the cobblers last of Ralph’s leadership and under the leadership of Jack, the boys depress to turn towards barbarism. From this point on, the change in the leadership brings with it the transformation of the boys from ordered society to savages. Through the pin of Ralph’s leadership and the resulting descent into savagery, Golding is able to widen how the dark side of human nature can prevail.\r\nGolding’s character piggish portrays the voice of abstract thought and logic and his glasses symbolize his wisdom. Ralph recognizes neandertal’s major power to think with clarity and soon depends upon him in his role as leader. Piggy’s idea to use the conch to assemble all the survivors leads to Ralph’s election as leader. Ralph uses Piggy’s ideas for building shelter and Piggy’s glasses to ignite the sign of the zodiac fire. â€Å"Ralph moved the lenses back and forth, this way and that, till a glossy white image of the declining sun lay on a piece of the rotten timberland” (30).\r\nGolding shows his pessimistic view of human nature as Piggy, whose ideas and logical thoughts have been so important to the boys’ survival, becomes irrational. at once the voice of reason, Piggy refuses to accept his role in the death of Simon. The destruction and loss of his glasses destroys Piggy’s ability to see clearly and decreases his ability to influence the actions of the group. Upon an flaming, Piggy, who once refused to believe in the beast, thinks Jack is the beast and cries come out â€Å"’It’s come! ’ gasped Piggy. ‘It’s real! ” (233).\r\nPiggy continues to believe the group of boys forget respond to logic when he asks them if it is better to be like savages and kill or to have order and be rescued. The boys remain silent when Roger energyes a tremendous rock on Piggy to kill him. â€Å"Piggy, utter nothing, with no condemnation for even a grunt, travelled through the air sideways from the rock, turning oer as he went” (255-256). With the death of Piggy, who was the icon of reasoning, Golding shows that the dark side of human nature triumphs over reasoning and rational thin king.\r\nGolding extends the allegory by exploring the boys’ struggle against detestation with the beast symbolizing the boys’ fears of sin and Jack as the symbol of the lure of evil. At one of their commencement exercise meetings, the boys discuss their predicament with optimism that they allow for soon be rescued, and until that time, they will enjoy the freedom of the island. One of the smallest boys is urged by his peers to come preceding to speak and asks reluctantly what will be done about the beast. The others laugh at him until he describes the beast as a big, serpentine creature that comes in the dark wanting to eat him.\r\nRalph tries to dismiss the boy’s ideas as plainly a nightmare, but the crowd did not only believe him. â€Å"The eyes that looked so intently at him were without humor” (44). This moment plants the seeds of fear in the boys’ wagon that will later unleash their inner savage. Ralph returns to the division of the beast at another meeting in hopes of calming the worries that began with the littluns and spread throughout the group. At this meeting Jack takes the conch and attempts to convince the boys again that the beast is tho in their imagination. â€Å"’The thing is †fear can’t hurt you any more than a imagine’” (110).\r\nEven Piggy speaks up to say that there is nothing such as the beast to be afraid of in the forest until he has the recognition: â€Å"’Unless we get frightened of people. ’” (113). Golding’s development of the boys’ fears using the beast shows the struggle of humans with their inner selves and the evil that lies within. Golding creates the character Jack as a throttle for the allegory by his luring of the boys into the evilness of savagery. When Jack first attempts to kill a pig, he hesitates because he smooth belongs to the civilization he left when the plane crashed.\r\nThe damp was only long eno ugh for them to understand what an exorbitance the downward stroke would be” (35). At this point, Jack changes. He loses the sense of self that resists the lure of evil and begins his descent to his dark side. â€Å"He snatched his knife out of the sheath and slammed it into a tree trunk. Next time there would be no mercy” (35-36). Jack becomes obsessed with hunting and works to perfect his weapons and his stealth. Jack dons a mask that frees him from his self-consciousness and shame creating a new person ready to kill.\r\nJack takes or so boys with him and kills a pig. When they returned, all are chanting â€Å"’ execute the pig. Cut her throat. Spill her blood. ’” (90). Jack transforms the young boys from righteous children to violent killers. Golding uses Jack to lure the others to evil and inflame their inner savage instincts. Golding’s allegory is besides developed by his description of the boys’ descent into savagery symboli zed by the deaths of the pig and Piggy. Golding shows Roger’s descent into savagery when Roger, excited and blood thirsty, begins a brutal attack on the pig.\r\nHe plunged his spear into the pig and â€Å"began to push down with all his weightiness. The spear moved forward inch by inch and the terrified creaky became a high pitched scream” (189). Roger’s sense of elation derived from killing the pig makes him want more blood. Roger delves deeper into savagery as he takes the life of a fellow human being. No durable killing just for survival, Roger finds satisfaction in the death of Piggy. â€Å"Roger, with a sense of delirious abandonment, leaned all his weight on the lever” (255). Crushing Piggy with the rock, Roger silences Piggy forever.\r\nWith Piggy’s death, Roger has committed murder, the ultimate crime. Lord of the Flies is an allegorical novel in which Golding uses the symbols of the conch, Piggy’s glasses, the beast, Jack, and Ro ger to reveal his views that human nature is innately evil. Through the boys’ desire for civilization, their struggle against evil, and their descent into savagery, Golding portrays public as civilized only on the originate with evil lurking just beneath. As Piggy state â€Å"’What are we? Humans? Or animals? Or savages? ’” (122).\r\n'