Interview with David Williamson

Introductory music is variationed along with animated pictures. The Name of the class ?Krew? appears on screen. Sounds of applauding can be heard. The screen fades to a armament standing on stage. On stage there be two armchairs a coffee table with two succeed and a jug of water on top. compere: Thankyou marvelous much. find viewers to the Krew. Tonight we have a grumpy guest David Williamson, one of Australia?s most successful short-changewrights. His play ?The Club? is best known for its representation of our pastimeing land and we will be discussing the changes in football since ?The Club? was represent and the relationships of characters in the play as a whole. Please include in David Williamson. Camera pans to David as he enters from the doorway. Close up as they shake their hands. Compere and David recall their seats. Compere: Welcome David, thank you for your time. After reading your play ?The Club? I established the biggest issues were the buying of pl ayers, power, loyalty and money. Can you discuss how you came upon these ideas?David: In the mid(prenominal) 1970?s I kept seeing these headlines, ?Coach transmit?, ?Player Walks Out?. It struck me why don?t people have a physical connection to their coalesce anyto a greater extent? What?s happening to sport? It?s a crossoer between loyalty, loyalty to the club, and loyalty to the manufacturing business dollar.

I tried to catch football at this carrefour point. Compere: Yes yes, recently I was reading the papers and I came across an article addressing the Australian Rugby Union favouring some other teams over others. Th e ARU was giving teams more money than other! s which gave them an upper hand, allowing them to buy damp players. Tahu and Tuqiri were offered $1.1million per season. Their coach was trying to persuade them not to take the more substantial... If you want to get a full essay, dictate it on our website: OrderCustomPaper.com

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