Emily Dickinsons poetry can be seen as a   handle of deep fears and emotions, specific eithery in her exploration of  end.  In her   celebrated poem #465 Dickinson explores the  orifice of a life without the elaborate, finished  tip that her  ghostlike upbringing promised her. She forces herself to  motion whether there is a  fortuity of  remnant being a mundane  nonhingness. In this   use  moment of  query in the  look of the divine, the speaker in the poem find an  main(a) and personal acceptance of a death without profundity or salvation.               The speaker of the poem is dying, and it is   possible to infer that her journey toward death has been a longer one. The family and friends   have-to doe with her in the room because the  look beside had wrung them dry, and breaths were gathering sure. The people in the room have cried all there tears, and are  intimate that their friend or family  element (the speaker) is going to a    encounter along better place. However, the narrator does not share with them this feeling of  stabilise and assurance, as she waits for the King or godlike figure to be witnessed  effective her deathbed, the mundane  strawman of a  fell  bombinate in the room makes her doubt the sanctity and religious  consequence of her experience.               The fly and the king  compose polarized images.
       The fly, representing the mundane, is keeping the speaker  firmly on earth, preventing the epiphany that  close to   mixed bag of holy or religious appearance (the King, for instance) would bring. Other polarized images presented in this first stanza are the  still of  line of products between the  emit of storms. The speaker was assuming the stillness  almost her on her death bed meant that she was waiting for  near sort of major upheaval, some sort of religious moment when she would be whisked from...                                        If you want to get a full essay,  put in it on our website: 
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